May 6, 2013

(Source: valleycandle, via intersouls)

2:33pm  |   URL: http://tmblr.co/ZSG7UykNbuy2
  
Filed under: surreal surrealism 
April 26, 2013
iconoclassic:

(via eric de kuyper, omaggio a cocteau | Andrea Aska Varacalli)

iconoclassic:

(via eric de kuyper, omaggio a cocteau | Andrea Aska Varacalli)

(via iconoclassic)

April 25, 2013
rrosehobart:

Jindřich Štyrský, Untitled From Na jehlách těchto dní [On the Needles of These Days], 1934
: ubugallery.com

rrosehobart:

Jindřich Štyrský, Untitled From Na jehlách těchto dní [On the Needles of These Days], 1934

: ubugallery.com

April 25, 2013
pubertad:

Man Ray, Juliet, c. 1946

pubertad:

Man Ray, Juliet, c. 1946

(via eurhydice)

April 24, 2013

(Source: allblack, via fossoaposto)

10:35pm  |   URL: http://tmblr.co/ZSG7UyjUBttc
  
Filed under: surreal surrealism 
April 24, 2013
3wings:

Jean Cocteau, Toulon, 1930Cecil Beaton

3wings:

Jean Cocteau, Toulon, 1930
Cecil Beaton

April 23, 2013

Alma / Mina / Alfred by Birgit Zartl

Also

1:39pm  |   URL: http://tmblr.co/ZSG7UyjM_I5N
  
Filed under: surreal surrealism 
April 19, 2013

When [The Discreet Charm of the Bourgeoisie] had been nominated for an Oscar, four Mexican reporters tracked us down at El Paular, where we were already at work on another project. During lunch, they asked if I thought I was going to win that Oscar.
“Of course,” I replied between bites. “I’ve already paid the twenty-five thousand dollars they wanted. Americans may have their weaknesses, but they do keep their promises.”
A few days later, headlines in Mexico City announced that I’d bought the Oscar. Los Angeles was scandalized; telexes poured in; Silberman flew over in a rage from Paris. I assured him it was all a joke, but it took quite a while for the dust to settle. Ironically, the film did win an Oscar three weeks later.
— Luis Buñuel (above, in disguise, with the Oscar.)

When [The Discreet Charm of the Bourgeoisie] had been nominated for an Oscar, four Mexican reporters tracked us down at El Paular, where we were already at work on another project. During lunch, they asked if I thought I was going to win that Oscar.

“Of course,” I replied between bites. “I’ve already paid the twenty-five thousand dollars they wanted. Americans may have their weaknesses, but they do keep their promises.”

A few days later, headlines in Mexico City announced that I’d bought the Oscar. Los Angeles was scandalized; telexes poured in; Silberman flew over in a rage from Paris. I assured him it was all a joke, but it took quite a while for the dust to settle. Ironically, the film did win an Oscar three weeks later.

Luis Buñuel (above, in disguise, with the Oscar.)

(Source: strangewood, via onomatopoetika)

April 12, 2013

(Source: indypendent-thinking, via vagabondedlife)

April 9, 2013

(Source: cactuslands, via unsorted-posts)

April 9, 2013
goeyen:

“Pour célébrer la plus bestiale des orgies, s’étaient enfermés dans ce chateau inexpugnable 120 jours auparavant quatre scélérats profonds et reconnus qui n’ont de loi que leur depravation, des roués sans Dieu, sans principe, sans religion…” - L’Age D’or

goeyen:

“Pour célébrer la plus bestiale des orgies, s’étaient enfermés dans ce chateau inexpugnable 120 jours auparavant quatre scélérats profonds et reconnus qui n’ont de loi que leur depravation, des roués sans Dieu, sans principe, sans religion…” - L’Age D’or

April 9, 2013
greencardigan:

Lya Lys in “L’Age d’Or” (1930). Directed by Luis Bunel.

greencardigan:

Lya Lys in “L’Age d’Or” (1930). Directed by Luis Bunel.

April 9, 2013
the13thcoat:

The best thing.

the13thcoat:

The best thing.

April 8, 2013

thehellofitall:

Luis Buñuel (1929-1952)

  • Un Chien Andalou (1929)
  • L’Age d’Or (1930)
  • Las Hurdes: Tierra Sin Pan (1933)
  • Gran Casino (1947)
  • El Gran Calavera (1949)
  • Los olividados (1950)
  • Susana (1951)
  • La hija del engaño (1951)
  • Subida al cielo (1952)
  • Una mujer sin amor (1952)

April 8, 2013

(Source: theyvcreation, via insidethevelvetcave)

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