Kansuke Yamamoto. The Man Who Went Too Far. 1956.
La science triomphante
First Papers of Surrealism
Andre Breton and Marcel Duchamps
New York: Coordinating Council of French Relief Societies, 1942.
MAX ERSNT. Illustration to “A Week of Kindness”, 1934, collage on paper. Surrealism.
Jindřich Štyrský, Untitled From Na jehlách těchto dní [On the Needles of These Days], 1934
Jean Cocteau, Toulon, 1930
When [The Discreet Charm of the Bourgeoisie] had been nominated for an Oscar, four Mexican reporters tracked us down at El Paular, where we were already at work on another project. During lunch, they asked if I thought I was going to win that Oscar.
“Of course,” I replied between bites. “I’ve already paid the twenty-five thousand dollars they wanted. Americans may have their weaknesses, but they do keep their promises.”
A few days later, headlines in Mexico City announced that I’d bought the Oscar. Los Angeles was scandalized; telexes poured in; Silberman flew over in a rage from Paris. I assured him it was all a joke, but it took quite a while for the dust to settle. Ironically, the film did win an Oscar three weeks later.
— Luis Buñuel (above, in disguise, with the Oscar.)