Cupid’s letter,
(via eurhydice)
Luca Giordano, Allegory of Magnanimity, about 1670. Oil on canvas, 71 x 71 in.
Jerónimo Jacinto de Espinosa
Angels Adoring the Eucharist
‘ECCE PANIS ANGELORVM · FACTVS CIBVS VIATORUM’
Museo del Patriarca, Valencia, Spain
(via savage-america)
British Library, Stowe MS 955, f. 13r (‘Two women attempting to catch flying hearts’). ‘Pierre Sala, Petit Livre d’Amour (also known as Emblesmes et Devises d’Amour), a collection of love poems and ‘énigmes’, preceded by a dedication in prose from the lover/author to his mistress Marguerite’. c.1500
(via eurhydice)
On the right is Prince William II of Orange, ruler of the Netherlands in the mid-seventeenth century. To his left is Mary Stuart, daughter of Charles I of England and William’s wife (if that sounds complicated, wait until I get round to William’s son, William, who married Mary’s niece, Mary).
This picture shows the pair looking fantastic, Mary shimmering in a gorgeous dress and William showing off in his tight black catsuit. Those cherubs are probably squabbling over who gets to try it on with them. If they aren’t blood relatives, they need not bother.
(via centuriespast)
(Source: a-l-ancien-regime, via artispretentious)
Necklace
- Place of origin:
France (made)
- Date:
ca. 1890 (made)
- Artist/Maker:
Wièse, Louis, born 1852 - died 1923 (maker)
The Victoria and Albert Museum
Nymphs, Cherubs and Swans
by Douglas Harvey
- Oil on canvas, 90.7 x 137.3 cm
- Collection: Stockport Heritage Services
Koh Masaki and TenTen Sky
Harajuku guy wearing a top & bandana skirt from the Japanese indie brand Style Icon Tokyo.
Paul Schrader
Mishima: A Life in Four Chapters, 1985.